2008 RULESAs the 48 Hour Film Project enters its 7th year, we continue to update and modify our rules. This year there are a few changes.
1.
2008 GenresWe've done our customary genre shake-up. "Mockumentary" and "Action/Adventure" have been retired for the year. In their place we've added "Buddy Film," made "Film de Femme" a regular genre, and reinstated "Superhero." And, everyone's favorite, "Musical or Western," will be back!
Complete list of genres:
* Buddy Film
* Comedy
* Detective/cop
* Drama
* Fantasy
* Film de Femme (see below)
* Holiday Film
* Horror
* Musical or Western
* Road Movie
* Romance
* Sci Fi
* Spy
* Superhero
Film de Femme
Never heard of a Film de Femme? That's because we invented it! This genre is specifically designed by the 48HFP to encourage strong roles for females in 48HFP films. A Film de Femme is a film featuring one or more strong female characters. Romantic comedies or "chick flicks" are included in this genre, but are only a subset. What's a strong female character? Think Police Chief Marge Gunderson in Fargo, Bette Davis in All About Eve, Reese Witherspoon in Election or Julia Roberts in Erin Brockovich. Smart and complicated. Try to avoid having a woman doing a man's job like a man would do his job. And contrary to public opinion, strong women characters are not required to kill someone!
2.
2008 Wild Card Genres* Animal Film
* Children's Film
* Ghost Movie
* Historical Fiction/Period Piece
* Mystery
* Silent Film
* Sports Film
* War Film
3.
TAPE FORMAT UPDATE: After many discussions with 48HFP filmmakers and editors of the master screening tapes, we have improved Rule #12 of the Filmmaking Rules to allow for a self-contained, Standard Definition, Quicktime file with no proprietary codecs on a data DVD. This is NOT just any Quicktime file. "Self-contained" means that the entire movie is within the Quicktime file. "Standard Definition" (also known as SD) means that the file should be 720x480 pixels and not in HD. "Without proprietary codecs" means no Avid or Final Cut Pro codecs. Filmmakers should check the Quicktime file to make sure that it is larger than 1GB. If it is not, then it has probably been compressed too much or is not a self-contained file. As usual, filmmakers should try to turn in a back-up copy in a second format.
As usual, filmmakers should try to turn in a back-up copy in a second format. If we cannot play your film on our equipment, you may be disqualified.
Here is the revised Rule #12 as posted on:
http://www.48hourfilm.com/filmmakers/rules-filmmaking.php"12. The finished film/video must be
PAL and submitted on one of the following:
* miniDV (preferred)
* a self-contained, Standard Definition (SD), Quicktime file with no proprietary codecs (that is, no Avid or Final Cut Pro codecs) on a data DVD
* DVD
* VHS
We recommend that each team submit
two copies of the final film. If we cannot view your film on our equipment, it may be disqualified."
For more information on the new format, visit:
http://www.48hourfilm.com/filmmakers/quicktime-submissions.php4. Each team leader must sign and deliver a
Participant's Agreement to the Kickoff Event. (In previous years, the agreement was mailed in.)
5. Instead of the generic Performance Release, we have created specific releases for talent, music and materials this year. The following 3 documents can be found on the For Filmmakers/ Production Documents site found at:
http://www.48hourfilm.com/filmmakers/documents.php. As usual, these documents are in addition to the Liability Waiver Form that each person on the cast AND crew must sign.
-
Talent Release Form (for actors and other talent)
-
Music Release Form-
Materials Release Form (for photographs and other materials)
PermitsThis site is geared towards larger shoots, but is good advice to smaller shoots as well: http://www.edinfilm.com/filming/permits
As you can see,
you don't need a permit to shoot in public.
However you should take precautions if you are shooting private property. Your team's producer should print out a few of the location release forms (on our website under FOR FILMMAKERS, PRODUCTION DOCUMENTS) and bring them to the shoots, then if you decide you want to shoot in front of a kebab shop or in a library, just get the person in charge to sign the location release form. It's always best to ask people before you start filming their property. But in terms of public property, no permit necessary.